FIRST FLOOR
The Grand Master Suite
The Grand Master Suite
The Grand Master Suite
The entire western wing belongs to you. Light enters from three sides — east through the sitting room, west through floor-to-ceiling glass, south through a private balcony that faces nothing but horizon. The room is divided without walls: a freestanding stone partition suggests separation between rest and contemplation. Furniture is spare, intentional. Linen is heavy and cool. You are removed from the house, but not from the place.
The entire western wing belongs to you. Light enters from three sides — east through the sitting room, west through floor-to-ceiling glass, south through a private balcony that faces nothing but horizon. The room is divided without walls: a freestanding stone partition suggests separation between rest and contemplation. Furniture is spare, intentional. Linen is heavy and cool. You are removed from the house, but not from the place.
The entire western wing belongs to you. Light enters from three sides — east through the sitting room, west through floor-to-ceiling glass, south through a private balcony that faces nothing but horizon. The room is divided without walls: a freestanding stone partition suggests separation between rest and contemplation. Furniture is spare, intentional. Linen is heavy and cool. You are removed from the house, but not from the place.
ENSUITE
Private Bath
Dual vanities carved from single blocks of local marble. A walk-in rain shower in glass and stone. A freestanding tub positioned for the last light of evening. Generous without being ceremonial — every surface chosen for how it feels, not how it photographs.
Dual vanities carved from single blocks of local marble. A walk-in rain shower in glass and stone. A freestanding tub positioned for the last light of evening. Generous without being ceremonial — every surface chosen for how it feels, not how it photographs.
Dual vanities carved from single blocks of local marble. A walk-in rain shower in glass and stone. A freestanding tub positioned for the last light of evening. Generous without being ceremonial — every surface chosen for how it feels, not how it photographs.